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Hard to believe the year is already half over.
At the beginning of 2014, I committed myself to a production schedule for the first time. I made myself a 30-day, 60-day, and 360-day list of GOALS I felt I could control, and a short list of accomplishments I hoped to achieve by accomplishing those GOALS. The highlights of that schedule included writing two short stories a month, completing two novels and at least the first draft of a third novel. My desire in sticking to that sort of schedule would enable me to have a continuous stream of new short fiction out on submission out in the pro publication market. Although I have only recently come to enjoy writing short fiction, one of the big advantages of the short form is that I don’t get bored. It takes me two or three days to write a typical short story; the regular activities of dreaming up the topic, planning out the plot and characters, and then writing the story feels fresh and exciting; and when I’m done, I’ve got the fabulous new thing I’ve created out of nothing but the ideas in my head. On the other hand, the challenge in a short story is that you have limited real estate (word count) in which to tell the tale, which can limit the kinds of stories I choose to write.
Now that I’m at the year’s midpoint, I thought I’d review my status against my goals and if necessary, make some adjustments:
2014 GOAL: Complete 2 Novels √ Aurum and Legacy Soul complete
2014 GOAL: Write 2 short stories per month √ 10 shorts and 1 Novelette complete
2014 GOAL: Complete 1st draft of 3rd novel On track. Researching novel #3
2014 GOAL: Write 375K words 117K words written
Although the third novel is right on track, my word count has dropped a bit. I did not anticipate how tired I would be after completing Legacy Soul (while writing the 16K word novelette at the same time), and the thriller outline I’d planned to turn into my next novel wasn’t exciting enough for me to want to spend the next 4 months eating and sleeping and dreaming about. So I’m reading and researching the genre I do want to write in, and analyzing the work of some of a couple of my favorite authors to see what I can learn from their writing. I have no doubt that I’ll be able to complete the first draft of whatever I decide to write by the end of the year.
But both my word count and my short story production are at risk of falling behind. As the quality of my short stories has improved, so too has the time it takes to get rejections from editors.
I’m not complaining! I’ve started getting some wonderful / encouraging rejection letters, saying my stories have been in the running right up until the very last moment. As a result, instead of getting rejections in days or a matter of weeks, I’m waiting months and months for personal rejections from editors who tell me they wish they had room for this one and look forward to seeing it in print elsewhere. I’m learning that (in many cases, especially pro anthologies), the longer it takes to get your rejection, the better they liked my story.
The byproduct of that paradigm shift is that it’s taking much longer for my stories to get through the submission process. And the personal rejections often offer valuable insight that I can use to improve the story. This month, for example, I rewrote the ending for a story I wrote back in January, and re-sequenced the chapter order in another story. This redrafting effort takes time away from my new short story development. I do not believe I will be able to continue to write two new short stories every month; especially until I get the new novel outlined and started. At this rate, I’m hoping to write at least another six short stories by the end of the year (instead of the 12 I’d originally planned). Accordingly, I think I’ll be lucky to make 300K words this year, although my goal of 375K words is still reasonable and achievable).
So as I move into the second half of the year, I’m giving myself a little breathing room on the short story production front. I’ve already written more shorts in the last six months than I have in the previous five years, but even as I write this, I don’t like the idea of it. I’m determined to make that quota.
Such is the power of the schedule.
One of my Beloved Sisters, a biologist, told me once that there are two kinds of people in this world: feather finders, and everyone else. She says feather finders cannot help themselves—they find feathers wherever they go.
I don’t know if there is some kind of field biology folklore around the subject, but I, for one, do seem to have this feathersight. When I moved from Idaho to Oregon 18 months ago, I threw out a large collection of feathers I’d found while living in that rugged state. It was a pretty impressive assemblage that included wing and tail feathers from great horned owls, red-tail hawks, and even a raven. It just didn’t seem right to hang onto them.
And yet this morning, as Rowan and I were out on our morning stroll, an idea started pecking at me for my next story. Just an image, really; for one scene. I started to get excited; the edges of the idea are peeling, and I can see glimpses of a greater story beneath that image. Story ideas come to me that way (sometimes). One image comes to me and excites me; pulling me into a bigger world. I’ve come to recognize the trigger now. It pushes all my other story ideas into the background. I must tell this story next (whatever my previous intentions might have been).
Anyway, as soon as the scene came to me, I found a feather. A long and lovely crow feather. Its an omen, I think. Follow the feather.
When I went to add it to the (new) collection, I was a bit taken aback that the new collection had already grown to fill a small vase.
I moved the vase into my writing room.
Everything good you’ve heard about How To TrainYour Dragon 2 is true. The visual effects are stunning, the sound and animation are off the charts, but mostly, it’s even better than the first one. A lot better.
I had very high expectations, because I loved the first one so much (almost as much as Despicable Me), but this one had tears rolling down my face through most of the last third of the movie. No spoilers here, but I love Toothless. I love Hiccup. I hope this film becomes the monster hit it deserves to be.
Go. See it. Today
Every new novel feels like the beginning of a whole new life, and in some ways, it is. I’ve got new people to discover, new adventures to plot, new risks to take. And while it feels very good indeed to have completed my 4th(!) novel, I’m not one to sit back and take time away from writing. Basically, I can’t not write.
This will be my first ‘new’ novel start in over a year (I finished the first draft of Aurum in June 2013). I like to think that I’ve learned a lot since then. I finished the soon-to-be-released, Legacy Soul and wrote a dozen short stories since that time, two of which have sold to pro markets.
This one will be a new genre for me: a thriller. No speculative elements at all. I developed several thriller plot outlines at a recent workshop, but I haven’t decided which of those I’ll use (or if I’ll come up with something new). I learned a lot of techniques on how to deal with multi-threaded plot lines and pacing–I can’t wait to try them.
So over the next couple of weeks, I’ll be fleshing out an outline, developing backgrounds and goals for the main character(s), making lists of technical details I need to clarify with experts, and charting out the scenes and pacing. I expect to start writing the first scenes before the end of the month. Brothers of the Fang took nine months from the first idea to the completion of the first draft; Aurum took seven. I’ve said it before: I’m not a fast writer, but I am consistent. I expect to complete the first draft of this novel (and again, I don’t yet know much more than the genre yet) by the end of October. At the same time, I’ll continue to try to write two short stories a month, as per my goal for the year.
And so it begins.
Some days I never thought it would happen, but today is not one of those days. The second volume of the Hand of Fate series, LEGACY SOUL will be released this month (squee!) and here’s a sneak peek at the cover.
Mattie Blackman is the last living descendent of the Goddess Morta. As the new Hand of Fate, she soon discovers her powers over the undead can’t help solve her problems with the living. But when Lance and Mimsy disappear, Mattie faces an enemy more dangerous than death itself–one who wants nothing less than her immortal soul.
DESTINY BLUES
“…amusingly off-beat…fun…romp.”
– Locus
Check back again next month!